Half Machine Recordings are setting themselves up to be an awesome label where even the more obscure stuff is worth checking because it has their seal of approval behind it. This is where Rough Trade and Domino find themselves a ce moment. Oui, j'ai dit quelque chose en Francaise, parce que Francois Virot est un grenouille.
This album is perfectly autumn. I listened to it cycling through Regent's Canal and Stoke Newington yesterday and it was a great soundtrack for the juxtaposition of slowly moving water with shopping trolleys poking out, and for urban decay tangoing with hipsters.
Like Beirut, Francois Pirot uses a lot of sharply strummed instruments and organic percussion to drive his songs about isolation and about togetherness and about everything turning, turning, turning. His brand of freak-folk-psych-folk-nu-folk-conti-folk-al melodies and dreamy dissonance as his voice breathily whispers over the top is like Thurston Moore fronting a Devendra Banhart acoustic album. There are moments of bliss-filled etherea and god-bothering hysteria on this brilliant sweet and alt-real album. With handclaps, percussive rhythms and well-strummed guitars underlying a warbly fuzzy but most definitely European vocal, this is worth checking. Francois Virot should be as big as Devendra Banhart judging by this album, and let's hope he is!
Hello and welcome and yeah... in an oversaturated blog-o-glob... we throw our 2 dubloons in.
Avocado Picker: 28, author, journalist... specialist subjects include: the Wire, the post X-Files career of Agent Scully, Bollywood music 1950-1970, Spider-man, Dare Devil, The Sopranos, British comedy 1990-present, the complete works of Chuck Palahniuk and Aniruddha Bahal, Arnie films pre- True Lies, and different uses for cheese in culinary situations.
The Mystery Voice: 30, software engineer, time waster... specialist subjects include: Linux (etc), C++ & PHP (and other animals, yawn), Physics (blah), British comedy past and present (yay), grand master Mornington Crescent (huh?), the incomplete works of Douglas Adams and Bill Bailey (wtf?)
No comments:
Post a Comment